My path into sound began through music. I originally trained in orchestral percussion at the University of Toronto and performed professionally in Canada and internationally, including with the Toronto Symphony Orchestra, the Esprit Orchestra, and the YouTube Symphony Orchestra. That background continues to shape how I approach sound design today, particularly in how I think about space, timing, and the emotional weight of a single well-placed sound.

Drawn to sound beyond the concert hall, I transitioned into audio post-production and studied audio engineering at the Ontario Institute of Audio Recording Technology. Since then, I've worked across sound design, Foley, dialogue editing, mixing, and audio implementation for games, film, and television, designing everything from intimate character details to large-scale reactive soundscapes. My credits include projects featured at TIFF, Sundance, and Tribeca, as well as work for CBC, NBC, Shudder, Devolver Digital, and Ubisoft Toronto.

I'm especially drawn to collaborative projects that value thoughtful sound storytelling. In games, that means building interactive systems that feel alive and responsive, leading audio from initial creative vision through implementation and final delivery. In film, it means shaping detailed sonic worlds where every layer serves the story. I'm currently based in Toronto and open to collaboration on games, film, and other creative projects.